Book Publishing, News & Publishing, Politics & Public Policy, Printing and Imaging, Uncategorized

Everything I Know About Capitalism, I Learned In the 6th Grade

This headline is not true, and yet, it was in this pre-Middle School era of my life when I first began to fully “understand the value of a dollar.”

I find that’s a popular phrase passed down through generations, an invaluable life lesson or a rite of passage. For two sixth-grade classes in the 1970s, their introduction to commerce and capitalism began that week.

That was the year that the number of students had outgrown the school, and some lucky contractor got the local school system bid for providing pop-up classrooms made out of stitched-together double-wide trailers. Two sixth-grade classes shared the one we’d been sentenced to, with a sliding partition between the two groups, each with its own teacher.

The partition was an insufficient barrier that mostly rendered us distracted by what was happening with the kids on the other side. When they laughed, our heads swiveled. When we acted up, they’d go silent and giggle as they listened to our punishment being levied. One teacher would have to raise her voice to keep the attention of her class whenever the sounds of the other teacher seemed more interesting.

And vice versa, and so it went.

Imagine the delight in our little hearts when one day the partition was folded in on itself, the two classrooms of kids facing off at last. The once competitive teachers joined forces and announced that we were going to learn about “the value of money.” They went on to explain that for a period of one week, there would be no traditional classroom lessons and that our trailer would be transformed into a microcosmic town.

Each of us had a role to play in the town. They asked for a show of hands when assigning roles like bankers, retailers, landlords, food purveyors, even insurance carriers.

I was the only one who wanted to run the town’s newspaper.

The town also needed governance and law, and so a show of hands indicated which of my classmates aspired to political life – managing their day-to-day duties while also running for a handful of offices, including mayor and sheriff.

We spent a day or two planning and building the town. Creative cardboard cutouts became our storefronts. Logos were designed, and signs went up over our storefronts. My classmates got right to work. The banker “handprinted” money and distributed a precisely equal amount of cash to each of the town’s residents, so everyone had a level playing field – a comparatively endearing socialist start to what would end in survival-of-the-fittest capitalistic carnage.

The most popular business, by far, was the town baker, who sold decadent treats to a classroom of kids given the freedom to make their own nutritional and expenditure decisions.

We didn’t speak of food allergies back then.

I got right to work wearing all the hats at the newspaper – a lot like things are today.

I reported and designed the layout. I “printed” the paper on the front office’s mimeograph. Printing is a big cost for actual newspapers, but I’d managed to get the paper and “press” for free. This would be seen as an ethical breach for actual newspapers.

I had to hock the paper, selling single copies to passersby. I sold advertising and wrote ad copy. I had to distribute the paper when it was hot off the press.

And though everyone wanted to read the paper – mostly to see if they were in it – few wanted to buy the paper. It was hard to compete with Mom-baked brownies.

I spent the week walking around the perimeter of the trailer, interviewing my classmates about the health of their businesses or who they liked in the pending election. I wrote trends pieces about how the town’s residents thought the rent was too damned high and how they wanted to be able to spend more of their money on luxury items, like those chocolately brownies. I vaguely remember writing an expose on the insurance carrier in town, who I saw as a huckster selling vapor.

“People give you money, but what do they really get in return,” I grilled him like I was Woodward or Bernstein.

One by one, the small businesses fell, exiling their owners from town, to a corner of the trailer-classroom to watch an episode of “Free to be You and Me” or to throw a sixth-grade temper tantrum, perhaps.

Naturally, the bank endured; it thrived off of the interest. The insurance carrier – who had minimal overhead costs and a contained, safe environment that put odds in his favor – stayed afloat. The baker had fistfuls of colorful cash by week’s end. And the newspaper endured, though I, too, was pretty busted. By the time I’d covered my own costs – rent, insurance, crayons – I didn’t have enough currency for much else.

I’d spent days coveting my classmates’ disposable income and how they frivolously, happily spent it on baked goods and insurance policies.

Somehow, I’d managed to get the news out, but it wasn’t easy, and it wasn’t lucrative.

News & Publishing, Printing and Imaging

Data, Technology and Digital Readers are Shaping How the Printed Newspaper Looks Today

By Gretchen A. Peck

If newspaper design had a motto, it might be: “Stick to the format. The design and layout is the brand.”

And that remains true today with iconic titles of newspapers rendered in familiar fonts and layouts that are distinctive in their own right. Think of how familiar and distinctive a title like USA Today is when you flip through the pages. The color, the layout, the way the headlines grab your attention—all part of the brand.

Newspaper publishers, by and large, have always understood this. But the notion that printed newspapers’ design should never deviate from the template is being challenged, and it’s because of digital and mobile publishing and the rising cost to paper. Still, that hasn’t stopped publishers from experimenting with their print product.

Read more at Editor & Publisher magazine: http://www.editorandpublisher.com/feature/data-technology-and-digital-readers-are-shaping-how-the-printed-newspaper-looks-today/

 

 

News & Publishing, Printing and Imaging

Data, Technology and Digital Readers are Shaping How the Printed Newspaper Looks Today

By Gretchen A. Peck

If newspaper design had a motto, it might be: “Stick to the format. The design and layout is the brand.”

And that remains true today with iconic titles of newspapers rendered in familiar fonts and layouts that are distinctive in their own right. Think of how familiar and distinctive a title like USA Today is when you flip through the pages. The color, the layout, the way the headlines grab your attention—all part of the brand.

Newspaper publishers, by and large, have always understood this. But the notion that printed newspapers’ design should never deviate from the template is being challenged, and it’s because of digital and mobile publishing and the rising cost to paper. Still, that hasn’t stopped publishers from experimenting with their print product.

Read more at: http://www.editorandpublisher.com/feature/data-technology-and-digital-readers-are-shaping-how-the-printed-newspaper-looks-today/

 

 

News & Publishing, Printing and Imaging

Lean Manufacturing: Doing More with Less in the Pressroom

By Gretchen A. Peck

Efficiency is precisely why Dow Jones & Company, Inc. prints The Wall Street Journal at strategic points across the nation. The obvious benefit is that it “gets the Journal closer to our customers,” according to vice president of production Larry Hoffman. There was a time when the publisher operated its own printing plants — 17 back then — but today it relies more heavily on print suppliers, bringing the total number of sites printing The Wall Street Journal (and a mounting volume of commercial print) to 26, Hoffman said.

Read more at: https://www.editorandpublisher.com/feature/doing-more-with-less-in-the-pressroom/

Published by Editor & Publisher magazine, May 2014

Printing and Imaging

Special Effects: Sticky Images

By Gretchen A. Peck

Sticky graphics—that’s what print buyers want. Whether artists or marketers, they share a common goal to create images that grab attention and leave an impression, images that compel you, and perhaps even haunt you. Sometimes the vision calls for those images to become part of the environment, to be stuck on a wall, wrapped around architecture, placed over windows, and all kinds of surfaces.

It’s not unusual in large format graphics to print to interesting substrates that are both visually intriguing and install challenged. Specialty substrates—such as metallic and chalkboard—with adhesive applications abound, but print service suppliers must be both left- and right-brained when choosing among them. Print buyers look to the print provider for technical and performance guidance, as well as creative insight into how ideas may be achieved.

Read more at: http://www.digitaloutput.net/special-effects-sticky-images/

Published by Digital Output magazine, February 2014

Printing and Imaging

The Great Debate: Inkjet Printheads

By Gretchen A. Peck

There are a lot of variables throughout the print process. For example, the quality of the graphics, media choice, and the lighting and environmental conditions at the installation point. All of these factors contribute to the overall success of a print job. The same is true for how consumables and the print technology itself, including printheads, work together.

“Printheads are a crucial area of printer design, and what differentiates one printer manufacturer from another,” explains Mark Radogna, product manager, professional imaging, Epson.

Hardware manufacturers decide what type of printhead—piezo or thermal—to place in a device based on many factors. These include temperature and ink chemistry.

Read more at: http://www.digitaloutput.net/the-great-debate/

Published by Digital Output magazine, April 2014

Printing and Imaging

Variable data makes the leap

By Gretchen A. Peck

Commercial printers and their print-buying clientele long ago recognized the benefits of personalized print and built workflows that took in vast volumes of disparate data and blended it with static print images. The ability to customize each and every page that comes off a press changed the marketing and advertising game forever—for the better.

For example, consider email marketing. Experian Marketing Services’ 2014 publication, 2013 Email Market Study, found that personalized emails inspire six times the response, transaction, and revenue rates than non-personalized messages. And the effectiveness of personalized print is equally compelling. The study reports that customized promotional mailings may garner as much as 29 percent better open rates.

Now, digital large format print service providers (PSPs) are taking a page from the commercial print playbook and rolling out variable data print (VDP) for their own breed of print projects.

Read more at: http://www.digitaloutput.net/variable-data-makes-the-leap/

Publishing by Digital Output magazine, April 2014

Printing and Imaging

Answering the riddle of environmentally friendly media

By Gretchen A. Peck

Though printing celebrates significant progress in its efforts to be more environmentally considerate, large format still has a long way to go—starting with how the industry at large deals with media. Part of the reason why large format graphics may be lagging behind is confusion.

Casually tossed-about terms like sustainable, “green,” and environmentally responsible are relative to one another. Is media green if it isn’t comprised of some percentage of recycled material? Is it green only if it can be inserted into standard recycling streams? Can substrates be green if they have to be finished with the introduction of a chemical-based solution? Is it green if it can be used and reused with ease, without loss of integrity, such as textile-based print?

Print service providers (PSPs) are tasked with juggling these questions and supplying answers to their customers. In return, they look to media vendors to provide sustainable products. Here, we profile PSPs who are helping solve the sustainable media riddle.

Read more at: http://www.digitaloutput.net/answering-the-riddle/

Publishing by Digital Output magazine, May 2014

Printing and Imaging

Prototyping and Short-Run Packaging

By Gretchen A. Peck

Without question, digital inkjet has transformed virtually every segment of the print industry—commercial print, sign and graphics, books, and publications. Many predicted that digital inkjet would also transform packaging—not in the sense that long-run inkjet production would entirely replace more traditional print methods like flexography, screenprinting, and offset. Rather, it was seen as an enabler to the creative process, allowing for better comping, prototyping, and in some cases, short-run production.

However, since the advent of quality roll-fed and flatbed print engines, digital inkjet printing has yet to live up to its packaging potential.

Read more at: http://www.dpsmagazine.com/prototyping-and-short-run-packaging/

Published by DPS Magazine, July 2014

 

Printing and Imaging

Packaging Promises

By Gretchen A. Peck

There’s been a lot of punditry and speculation about how digital print will impact packaging printing, whether it would go the way of commercial print, with shorter print runs and variable data-driven versioning. However, after more than a decade of predictions that digital print—narrow and wide format—would forever alter the packaging landscape, they’ve yet to manifest.

When having a conversation about “packaging,” it’s important to be specific about its sub-segments, suggests Simon Lewis, director, strategic marketing for Hewlett-Packard’s (HP) Indigo Division, who categorizes package printing as labels and label-like products such as shrink sleeves, folding carton, flexible packaging, and “others,” which include specialty packages produced using more exotic media such as metal and glass.

Read more at: http://www.dpsmagazine.com/packaging-promises/

Publishes by DPS Magazine, May 2014