News & Publishing

Ongoing legislative battles put Public Notices in peril

By Gretchen A. Peck

Author’s Note: The relationship between newspapers and Public Notice authors is being challenged across the U.S. What does this mean for newspapers and the public? I took a look at the issue in the October 2018 issue of Editor & Publisher magazine.

If you look closely at the fine print just below the banner logo for PublicNoticeAds.com, a single-source searchable database for legal ads published by “participating newspapers” across the country, it reads: “The public notice database on this site is not a substitute for the official publication that is required by law. You will still find those notices in your local newspaper.”

On the site’s homepage are links to each to state with “participating newspapers,” though most simply redirect the browser to other websites of a similar design. For example, clicking on the link to Connecticut redirects the user to Connecticut public notices, which is “powered by MyPublicNotices.com.” From there, users can click on individual links to public notices on individual websites for each newspaper title, or search notices published in any of the state’s local and regional titles.

In fact, legally mandated public notices are already prevalently available online and digitally redundant to what’s published in printed newspapers. In addition to these sites, they are also found on government-maintained sites, legal sites and on many newspaper-branded websites.

Yet, in several states just this year, legislators have proposed bills that would allow for public notices to bypass print altogether, possibly narrowing access to information and starving newspapers of the revenue derived from publishing information of this kind.

Given the legislative effort that feels coordinated and party-centric, E&P went in search of who and what was behind the lobby for this legislation and answers to what it would mean to newspapers if printed public notices become obsolete.

Read more at:
http://www.editorandpublisher.com/feature/ongoing-legislative-battles-put-public-notices-in-peril/ 

 

News & Publishing

The Side Hustle: What Do Newspapers Gain by Having Their Journalists Appear on TV and Radio?

By Gretchen A. Peck

For the penultimate segment on “Hardball with Chris Matthews” each weeknight, Matthews queries his panel of journalists and pundits—often with at least one reporter representing a major-market newspaper—challenging them, “Tell me something I don’t know.”

His branded phrase not only introduces the segment, it exemplifies one of the benefits of having journalists appear as guests on broadcast news programs. Reporters remain excellent sources themselves of researched, vetted and well-sourced information. Their appearances and expertise on the topics of discussion lend both content and credibility to broadcast news programs.

And there are obvious professional gains for the journalist—who has a brand and a byline to protect—and to the newspaper’s brand, which benefits from audience reach and an opportunity to evangelize its reporting.

Still, as some newspaper journalists have learned, appearing on broadcast news programs can occasionally come with some unwanted attention too.

Read more at: http://www.editorandpublisher.com/feature/the-side-hustle-what-do-newspapers-gain-by-having-their-journalists-appear-on-tv-and-radio/

Editor & Publisher magazine, October 2018 issue

 

 

News & Publishing

Getting readers is one thing; keeping them is another

From Behavioral Data to Exclusive Content, Newspapers are Creating Valuable Strategies to Retain Readers

By: Gretchen A. Peck
The “Trump Bump” phenomenon experienced by national and larger regional newspapers in the wake of the presidential election brought a sea of new subscribers to their print and digital titles. Whether that was a direct response to the anti-press rhetoric that’s been pervasive in national politics, or whether people just finally realized that news has value, is still up for speculation and study. But the phenomenon was real for those larger titles, which now must make concerted efforts and campaigns to appeal to these new readers, and to keep their interest and retain their subscriptions.
Photo courtesy of The New York Times
News & Publishing, Printing and Imaging

Data, Technology and Digital Readers are Shaping How the Printed Newspaper Looks Today

By Gretchen A. Peck

If newspaper design had a motto, it might be: “Stick to the format. The design and layout is the brand.”

And that remains true today with iconic titles of newspapers rendered in familiar fonts and layouts that are distinctive in their own right. Think of how familiar and distinctive a title like USA Today is when you flip through the pages. The color, the layout, the way the headlines grab your attention—all part of the brand.

Newspaper publishers, by and large, have always understood this. But the notion that printed newspapers’ design should never deviate from the template is being challenged, and it’s because of digital and mobile publishing and the rising cost to paper. Still, that hasn’t stopped publishers from experimenting with their print product.

Read more at: http://www.editorandpublisher.com/feature/data-technology-and-digital-readers-are-shaping-how-the-printed-newspaper-looks-today/

 

 

News & Publishing

The Increasingly Dangerous Job of Journalism

I could write this morning about the anti-Press rhetorical climate, with the drumbeat percussed by the President of the United States every day.

I could write about the reporters I speak with weekly, who all share a common scourge of relentless online harassment and credible threats. I could write about their frustrations of not having recourse with social media platforms, let alone the police or criminal justice system.

I could write about how anonymous cowards celebrated the murders of four journalists and a sales assistant yesterday. (https://www.mediamatters.org/blog/2018/06/28/far-right-online-message-board-users-celebrate-annapolis-newsroom-shooting/220569)

Some of the serial abusers aren’t anonymous. Some have national or international megaphones.

I could write about the endless anecdotes journalists and editors share with me about being stalked.

I could write about how I’ve been harassed and stalked.

And maybe I’ll write about these things in Editor & Publisher one day. I don’t typically write in the first person there, but maybe one day I will.

But today … today … I will fight through angry tears to honor the five people from my tribe – publishing people, news people – with a reminder of who they were, who we all are.

I knew none of them personally, but I know their kind.

Journalism is not just a job. It’s a compulsion. It’s an addiction.

I wouldn’t know how to fact-check this, but clergy often talk about having “a calling.”

As near as I can tell, journalists feel that way about journalism.

I’ve often found a running theme with reporters in newspapers, in particular. Nearly all of them grew up having witnessed, passively observed or have been a party to some harm or injustice. These experiences didn’t “sit right” with them. At young ages, they could make the connection between harmful people or institutions or nations, and how they flourish under the cover of darkness. They instinctually want to protect others from them; they want to be the light switch.

In a direct and measurable way, reporters see themselves as in service to this nation – though by picking up a pen instead of a semi-automatic weapon.

They are subjected to a strict set of ethics, which are published for the public – by news organizations and governance associations. These ethics are continually challenged.

No journalist embarks on the job with delusions of grandeur. There are no riches to be had.

Especially for print journos, there is no promise of fame.

Mostly, the job looks like a slog through information, research, phone calls, source vetting, endless fucking phone calls. They endure meetings and argue with editors and try to keep up with the AP Style Guide changes.

They’re asked to multitask in a ways that represent new ground. They must report, interview, fact-check, layout, produce video, capture still photos, adjudicate sources, learn how to fly a drone, explore narrative and visual storytelling, devote time to professional development, and damn it, you’d better blast out 15 or more tweets a day or else.

They work odd hours and eat shit food, because “Time! I need more time!”

Their desks are the stuff of hoarders; their keyboards are caked with crumbs. Their eyes have gone bad at an early age because of all the screen time.

They are in perpetual motion. They rarely take time off. Vacations are seen as lofty goals. Working vacations are the norm.

They are never satisfied with what they write. They never see a story as being complete, nor finished.

They struggle to chase a truth that is eternally elusive, purposely obscured, hidden, difficult to digest, and ever changing. They beat themselves up – worse than any online commenter ever could – when they get a story wrong, when a source proves unreliable, when an inaccuracy goes to print under the byline that bears their name.

They fear that even the most innocent fuck-up in editorial judgment will not just cost them their job, their immediate livelihood, but their entire career. And that happens.

The weight of the job – every aspect of it – is heavy with profound responsibility and perpetual uncertainty.

Journalists know that they’re not islands, too. They are fully cognizant that they could not do their jobs without the entire support of the news organization, many of which have been gutted through austerity, corporate ownership, and the quest to enrich shareholders. Everyone left has a vital role in getting the newspaper to your doorstep or to your screen – journalists, editors, production people, graphic designers, IT and data analysts, ad teams, circulation and audience staffs, finance and accounting, prepress and pressroom folks, support staff.

And not one single minute of it is glamorous, nor elite, nor comfortable, nor well paid, nor secure, nor safe.

And yet, despite that, they find the work fulfilling, challenging, dynamic. They can’t imagine ever doing anything else. They live in fear that one day they will be forced to.

A Pulitzer is coveted and revered, but for the vast majority of journalists, it’s as plausible as a unicorn. It is a rare acknowledgement, an “Atta-boy, atta-girl, job well done.”

Seventy-one journalists died in 2017 alone for doing their jobs. They were gunned down at a child’s Christmas pageant, had their cars wired to explode, were kidnapped and subsequently murdered, they were thrown out of windows, stabbed, and killed by suicide bombers while embedded with the military.

But they do it because it must be done – not for themselves, but for the readers they serve, for the communities they inform, and for the nations that need their watchful eyes, perspective, and increasingly dangerous labors.

As the five people at The Capital Gazette were murdered in their offices yesterday, that’s all they were trying to do.

 

 

News & Publishing

Newspapers 2020: How are newsrooms preparing for the next decade of publishing?

By Gretchen A. Peck

More than a year has passed since the New York Times’ newsroom published “Journalism That Stands Apart: The Report of the 2020 Group.” The report was intended to define “the newsroom’s strategies and aspirations” and laid out arguments for initiatives like nurturing more reader participation; creating more visually stimulating, multimedia journalism; and committing to greater collaboration between the newsroom and the publisher’s product teams.

Overall, the report provided interesting insight on what the Times was planning for its future, so we couldn’t help but wonder what other newspapers had on their agenda for 2020. E&P reached out to several newspapers across the country and asked them to share.

What variables do you think will have the most influence on how well your newspaper performs—in both revenue and audience—in the coming two years?

Read more at: http://www.editorandpublisher.com/feature/newspapers-2020-how-are-newsrooms-preparing-for-the-next-decade-of-publishing/