News & Publishing, Politics & Public Policy, TV, Radio, Audio, Uncategorized

Nuzzi is not all of us

I cringed when I saw Jeremy Fassler’s headline for his Medium column this week, “The Olivia Nuzzi Scandal Is an Indictment of Journalism.” 

Nuzzi was placed on leave this week — and should lose her job — at “New York” magazine for an undisclosed personal relationship with presidential candidate Robert F. Kennedy, Jr., a controversial public figure she was assigned to report on. People have speculated about the degree of ethical breach, which Nuzzi contends did not veer into a physical relationship. She has been castigated and slut-shamed online, while Kennedy’s behavior has largely been brushed aside as de rigueur for the serial-philandering, vaccine-denying, dog-eating, dead-bear staging, whale head-sawing, brain worm-addled oddball he is. 

Make no mistake, Nuzzi’s behavior is a gross — and I mean that in every sense of the word — ethical breach. It reflects poorly on her, certainly, but it also stains the “New York” magazine brand. Nuzzi is just 31 years old and entitled to make journalistic mistakes that we all made in our young careers, but this one is beyond the pale. She should be fired, and she should have to rebuild her career and earn the trust of the public before given another megaphone — print, broadcast or otherwise. 

But this is hardly a condemnation of journalism, as Fassler claims in his headline. The public and especially the news media itself needs to get away from these broad, sweeping condemnations. Look at the sins of David Pecker’s tabloid empire and its “catch and kill” practices. Imagine if every reporter at local papers and nonprofit news outlets around the country had to carry the weight of that on their shoulders. It’s patently out of context and unfair. 

If you read past the headline, what Fassler is getting at is Nuzzi’s case is — and should be — an indictment of access journalism. Access journalism is when journalists favorably report on their subjects and sources in order to be granted access to them, to gain insider insight, and to get scoops that elude other news outlets. 

wrote about access journalism in a 2021 “Editor & Publisher” magazine. 

Nuzzi is certainly a glaring example of a journalist who’s traded on access — and, I dare say, on her beauty. Across news media, we’ve had some of the most popular, visible and broadly followed journalists who can be accused of the same, even at the nation’s most prolific legacy institutions. It is a bane, no question, yet not a reflection of the whole. 

Nuzzi’s recent work has been “sus,” as the kids say, and Fassler gives a number of examples of that. Yet, controversy attracts eyeballs and audience — still the most coveted currency in today’s news business. And she (and others) have been rewarded for it. 

Still, to lump all journalists and media companies in with Nuzzi and those who enabled her along the way — even in a headline — does disservice to all the earnest, dedicated and toe-the-line reporters around the country. 

And it emboldens the “dishonest press” and “enemies of the people” rhetoric. Let’s stop that. 

News & Publishing, photography, Politics & Public Policy, TV, Radio, Audio

Watch “Print It Black” on Hulu

In the week that followed the horrific mass shooting at Robb Elementary in Uvalde, Texas, I was one of thousands of calls into the local newspaper, the Uvalde Leader-News. I was working on a story for E&P—part of the magazine’s “Reporting On” series—about journalists who have the daunting task of reporting mass shootings. 

On a few occasions that week, a member of the newsroom there would answer—audibly exhausted and grief-stricken, yet polite and professional—and take down my message for the owner-publisher Craig Garnett. I, of course, wanted to speak with him about my assignment, to learn in those still-raw moments what it takes for a newsroom to cover a story of this magnitude and tragedy. But so much more importantly, I wanted to express my sorrow, to let him and his entire newsroom know that we shared in their grief. After all, a member of our news community had been personally and profoundly impacted by this crime. ULN’s Crime Reporter Kimberly Mata-Rubio’s 10-year-old daughter, Lexi, was among the victims.

Despite an enormous weight on his shoulders, Garnett called me back a few days later, and generously, thoughtfully spoke about what his newsroom was going through. Through tears that seemed never-ending, I wrote the story

I’ve thought about that local paper—Garnett and the small, tight-knit staff—the Rubio family, and the community of Uvalde every day since.

I had the great honor to reconnect with Garnett last week, to talk about the ABC News documentary, “Print It Black,” now streaming on Hulu. It’s a difficult-to-watch yet important film that I implore everyone to see—a complex, nuanced and honest look at mass shootings in America, about life in a small town, about racism, poverty and classicism, and about a local newsroom rising to an occasion for which it never could prepare.

#Uvalde #LocalNews #RobbElementary #UvaldeLeaderNews #ABCNews #documentary

News & Publishing, Politics & Public Policy, Printing and Imaging

Talking newspapers with Kelsey Russell

This ranks as one of the most fun and fascinating conversations I’ve had this year about the power of the printed newspaper and media literacy.

Meet TikTok’s “Print Princess,” Kelsey Russell, who leverages the platform to introduce her audience to news of the day; how to be critical about what they read; and how print can give us a break from screen time, as well as help us more meaningfully consider and retain information.

https://www.editorandpublisher.com/stories/meet-the-print-princess-tiktok-personality-kelsey-russell-uses-social-media-to-spark-critical,250283

News & Publishing, Politics & Public Policy

The New York Times assembles a trust team

Among our news community, we frequently talk about “trust in news” and how it has eroded to dangerous levels. I’d suggest there are myriad reasons for that, including some that date back centuries. The press has always been a convenient punching bag. When people don’t like what they read, they naturally want to discount the information. 

Some of the phenomenon is patently new, as we’ve seen with the increase in “lawfare” suits designed to chill journalists and shutter news organizations outright. There’s also the toxic political rhetoric, even shouted from the highest offices in the land, expressly to make people doubt watchdog and accountability reporting. 

Now, we’re contending with Artificial Intelligence (AI), too, which is training people to doubt what they read and view.

Some of it is well-deserved. The press doesn’t always get the story right, especially in the rush to report first. Quality journalists among the American media are contrite when it happens, acknowledging their mistakes and offering corrections or retractions. Far too many outlets masquerading as trusted sources of news peddle misinformation and never acknowledge their failures to report accurately. That’s harmful, industry-wide.

I’d suggest the public also has a cynical view of how news is gathered and produced when they hear about strategic misdeeds, such as tabloid-style “catch and kill” stories — for example, when an adult film actress’ story about an affair with a politician never sees the light of day because the publisher and the porn star are paid to suppress it. It’s easy for the public to conflate that kind of “news” with what earnest, professional journalists produce day-in, day-out. 

Indeed, there are many reasons — deserved and not — for the lack of trust in news today, but the important thing is that we’re thinking about it as an existential threat and doing our best to counter it. That’s why I’m bullish on The New York Times decision to convene a “trust team” that’s keenly focused on this issue. 

At the link, read about my conversation with Edmund Lee, editor of The Times’ trust team and one of the ways they’ve built more transparency and familiarity into the display of news.

#newsmedia #journalism #TheNewYorkTimes

News & Publishing, Politics & Public Policy

Behind the scenes of Pulitzer-awarded reporting

Ever wonder what it takes to produce Pulitzer Prize-winning journalism? I spoke with reporters and editors at three newsrooms that were awarded Pulitzers earlier this month. They spoke about the inspiration behind their award-winning series; the labors and resources the projects required; the dilemmas they faced during the news gathering; and ultimately, the impact. 

 

Read the “stories behind the stories” at the link.  Congratulations to all of this year’s Pulitzer winners. https://www.editorandpublisher.com/stories/pulitzer-story,249969

Food, Travel, Culture, News & Publishing, Politics & Public Policy

Exploring Vermont’s new(ish) cannabis economy

As with many other states today, Vermont is contending with a new cannabis economy. It has opened up a wellspring of opportunity for new businesses (dispensaries, growers and other cannabis-focused commercial organizations), associations, and for the state government to allocate and invest new tax revenue. 

Building on a legacy news brand that dates back a century, Vermont News & Media saw its own opportunity to create a cannabis title, “Green Mountain Vermont Cannabis News,” to inform the public about cannabis laws and regulations, new businesses and jobs, and how to enjoy wider access to locally grown products. They’ve taken a different approach to the publication than other cannabis titles, choosing to reflect the state’s craft-cannabis culture. 

Read on at the link: 

News & Publishing, Printing and Imaging

Everything I know about capitalism (and for-profit news), I learned in the 6th grade

This headline may not be entirely true, and yet, it was in this pre-Middle School era of my life when I first began to fully “understand the value of a dollar.” 

I find that’s a popular phrase passed down through generations, an invaluable life lesson or a rite of passage. For two sixth-grade classes in the 1970s, their introduction to commerce and capitalism began that week. 

That was the year that the number of students had outgrown the school, and some lucky contractor got the local school system bid for providing pop-up classrooms made out of stitched-together double-wide trailers. Two sixth-grade classes shared the one we’d been sentenced to, with a sliding partition between the two groups, each with its own teacher. 

The partition was an insufficient barrier that mostly rendered us distracted by what was happening with the kids on the other side. When they laughed, our heads swiveled. When we acted up, they’d go silent and giggle as they listened to our punishment being levied. One teacher would have to raise her voice to keep the attention of her class whenever the sounds of the other teacher seemed more interesting. 

And vice versa, and so it went.  

Imagine the delight in our little hearts when one day the partition was folded in on itself, the two classrooms of kids facing off at last. The once competitive teachers joined forces and announced that we were going to learn about running a business and paying bills. They went on to explain that for a period of one week, there would be no traditional classroom lessons and that our trailer would be transformed into a microcosmic town. 

Each of us had a role to play in the town. They asked for a show of hands when assigning roles like bankers, retailers, landlords, food purveyors, even insurance carriers.

I was the only one who wanted to run the town’s newspaper. 

The town also needed governance, and so a show of hands indicated which of my classmates aspired to political life – managing their day-to-day duties while also running for a handful of offices, including mayor and sheriff.

We spent a day or two planning and building the town. Creative cardboard cutouts became our storefronts. Logos were designed, and signs went up over our storefronts. My classmates got right to work. The banker “handprinted” money and distributed a precisely equal amount of cash to each of the town’s residents, so everyone had a level playing field – a comparatively endearing socialist start to what would end in survival-of-the-fittest capitalistic carnage.

The most popular business, by far, was the town baker, who sold decadent treats to a classroom of kids given the freedom to make their own nutritional and expenditure decisions.

We didn’t speak of food allergies back then. 

I got right to work wearing all the hats at the newspaper – a lot like things are today. 

I reported and designed the layout. I “printed” the paper on the front office’s mimeograph. Printing is a big cost for actual newspapers, but I’d managed to get the paper and “press” for free. This would be seen as an ethical breach for actual newspapers.

I had to hock the paper, selling single copies to passersby. I sold advertising and wrote ad copy. I had to distribute the paper when it was hot off the press.

And though everyone wanted to read the paper – mostly to see if they were in it – few wanted to buy the paper. It was hard to compete with Mom-baked brownies. 

I spent the week walking around the perimeter of the trailer, interviewing my classmates about the health of their businesses or who they liked in the pending election. I wrote trends pieces about how the town’s residents thought the rent was too damned high and how they wanted to be able to spend more of their money on luxury items, like those chocolately brownies. I vaguely remember writing an expose on the insurance carrier in town, who I saw as a huckster selling vapor. 

“People give you money, but what do they really get in return,” I grilled him like I was Woodward or Bernstein. 

One by one, the small businesses fell, exiling their owners from town, to a corner of the trailer-classroom to watch an episode of “Free to be You and Me” or to throw a sixth-grade temper tantrum, perhaps.

Naturally, the bank endured; it thrived off of the interest. The insurance carrier – who had minimal overhead costs and a contained, safe environment that put odds in his favor – stayed afloat. The baker had fistfuls of colorful cash by week’s end. And the newspaper endured, though I, too, was pretty busted. By the time I’d covered my own costs – rent, insurance, crayons – I didn’t have enough currency for much else.

I’d spent days coveting my classmates’ disposable income and how they frivolously, happily spent it on baked goods and insurance policies. 

Somehow, I’d managed to get the news out, but it wasn’t easy, and it wasn’t lucrative. 

News & Publishing

Making the Team

In an era plagued by media consolidation, hedge fund ownership and gutted newsrooms — or “ghost papers” — investigative journalism has fallen by the wayside at too many newsrooms across the country. Investigative journalism is labor- and time-intensive and often expensive to produce. It also requires skilled journalists to do the work.

What does it take to create and lead an investigative team today? E&P asked five investigative editors. Read on at the link.

https://www.editorandpublisher.com/stories/starting-your-investigative-team,247849

Food, Travel, Culture, Music, News & Publishing

A new print magazine—that looks like a 19th century newspaper—exceeds audience expectations

In the age of digital media, County Highway is all about print — my conversation with Editor David Samuels for Editor & Publisher magazine

https://www.editorandpublisher.com/stories/creating-a-print-chronicle-for-americas-digital-age,247036

News & Publishing, Politics & Public Policy

Local news “builds community”

Within the past five years — and certainly during the height of the pandemic — I began to notice the term “building community” come up in conversation a lot, particularly with local news publishers and journalists. It’s certainly not a new concept — the idea that a local newspaper (or news site) doesn’t just inform the community; it also provides a thread that runs through the community, creating a sense of belonging and a reminder of shared vested interests.

Every local news outlet does this in some way. It’s inherent. But E&P went in search of stories of news media publishers striving to meaningfully connect with the community and to foster community engagement in positive ways. At the link, you’ll read about two of them — The Lansing Journal and The Spokesman-Review.

https://www.editorandpublisher.com/stories/how-two-local-news-are-creating-a-sense-of-community-while-proving-their-value,244758

Share your story about how local news enriches your sense of community in the comments. We’d love to hear about it!