Chris Reen is Editor & Publisher (E&P) Magazine‘s Publisher of the Year.
Chris Reen is honored for his approachable optimism, reverence for journalism and a record of innovation, resilience and service to community.
Writer. Editor. Photographer.
Chris Reen is Editor & Publisher (E&P) Magazine‘s Publisher of the Year.
Chris Reen is honored for his approachable optimism, reverence for journalism and a record of innovation, resilience and service to community.
QUICK READ: How top journalists protect sources and turn secrets into stories
Read at the link or in the September 2025 Editor & Publisher print edition:
“This is an area where more boards of directors than ever are looking for continued updates, not just on the state of the law and the state of enforcement policy, but what it all means in terms of their own companies’ practices. … This is complicated stuff.” — Camille Olson, partner, Seyfarth Shaw LLP
E&P’s August 2025 Cover Story: Experts weigh in on how DEI can survive and evolve in today’s volatile media and legal landscape
https://www.editorandpublisher.com/stories/whats-next-for-dei-in-newsrooms,257042
Quick Read: The Houston Chronicle investigative team—double the size it was just a year ago—digs deep into the questions that matter most to Houstonians
E&P started a series a couple of years ago, which we call “J-school profiles.” To create a bridge between the next-generation of aspiring journalists and E&P’s readers — many of whom hail from C-suite offices at news organizations small to massive — we began to write about journalism schools across the country. We wanted to know how curricula is changing as technology and journalism itself evolve, and how young people coming into the profession see their future roles.
Often, during those conversations with faculty and students, the topic of journalism’s “impact” came up. Many of those young people spoke about being compelled to pursue journalism because they wanted to do work that is meaningful, that inspires change, that has real, measurable value. In speaking with deans and professors, they often echoed hearing this from their students — the desire to be impactful. And yet, some of those educators also spoke from a place of concern, noting the important distinction between pursuing stories that may ultimately have impact and being an advocate for a particular community or cause.
It left me wondering: At what point does creating impactful journalism cross over into the realm of advocacy? And what are the ethical implications? The answer, it would seem, isn’t clear-cut, but I’d argue it’s still a discussion worth having. So, I asked three experts about their takes on advocacy versus journalism. Here’s what they had to say:
In the latest installment of E&P’s “Reporting On” series, we look at the environment beat, with particular interest in reporting on communities impacted by pollution and contamination.
This was a particularly personal assignment for me, having grown up in a town with a notorious Superfund site not far from my childhood home. It was likely a contributor to lifelong health problems for our family and for so many others in our community. Today, nearly six decades after the malfeasance that contaminated the site — and despite EPA intervention and remediation efforts — the land remains contaminated by military-grade Vietnam-era defoliants (just one category of “forever chemicals.”). Not long ago, it was sold to a developer who built housing on it.
Reporting on these public health and safety dangers is critical journalism. At the link, I speak with two reporters — Halle Parker at NPR affiliate WWNO in New Orleans and Alex Rozier at Mississippi Today — about the importance and challenges of environmental storytelling.
Elinor R. Tatum, publisher and editor-in-chief of New York Amsterdam News, exemplifies what it means to be E&P’s Publisher of the Year. For 30 years, she’s thoughtfully led the news organization through formidable challenges—the advent of the internet and digital media, greater competition for audience, uncertainty related to revenue, and most recently, the COVID pandemic era.
Tatum’s contribution far exceeds her work for the newspaper. She’s devoted her time and expertise to elevating other news media outlets and creating a sense of camaraderie so needed throughout the news media today. She’s a strategic risk taker and innovator—a change agent for the local news community, and especially the Black press.
And one of the many things I found to be so inspirational about Tatum as I wrote this month’s cover story was her long history of motivating, encouraging, empowering and challenging her staff, peers, all of us.
Read about Publisher Tatum at the link below, and check out E&P’s Editor-in-Chief Robin Blinder’s editorial introduction here: https://www.editorandpublisher.com/stories/inspiration-in-harlem,252692?newsletter=252745&vgo_ee=aWQmgzV5rfy%2BxfAMqNpxLpDgiOmuqKa8RiKGAIgxC8yh5T9ZH4Vq%3AFy1VRjwwp9beea%2F5LyuRkhAuWNTKp5vs
https://www.editorandpublisher.com/stories/leading-with-grace-and-power,252691
In late summer, I spoke with two journalists — Julian Borger, world affairs editor for The Guardian, and Nabih Bulos, who is the Los Angeles Times’ Middle East bureau chief — tasked with telling the story of the broadening war in Gaza. We spoke about the challenges of war coverage — about safety, working with local fixers and other journalists on the ground, about reporting on a region that it was nearly impossible to gain access to, and about the unpredictable nature of the work itself. For foreign correspondents, war means perpetual motion, a never-ending chase for anecdotes and atrocities, and meaningful context in sea of gray.
The only certainty, it seemed to me, was the volatility and the potential for the war to entrap or entice other nations and other terrorist groups to join the fight. And that’s precisely how it’s playing out. With just a few days of my discussions with Bulos and Borger, Hezbollah fired rockets into northern Israel.
Since, Israel retaliated by detonating pagers and mobile devices they believed to be in the hands of Hezbollah operatives. Iran-launched missiles rained down on Israel, and now the world holds its collective breath for Israel’s inevitable response to Iran’s assault. The one-year anniversary of the war passed.
The statistics I cited in the story are already obsolete. Since October 7, 2023, the war has now claimed the lives of 1,706 Israelis, 42,409 Palestinians, and 2,448 in Lebanon.
It is also one of the deadliest wars in the modern era for journalists. 128 have died. 40 have been wounded. At least 2 remain missing, according to the Committee to Protect Journalists. Please consider their sacrifices as you read this latest installment in our “Reporting On” series:
https://www.editorandpublisher.com/stories/reporting-on-the-war-in-the-middle-east,252455
I cringed when I saw Jeremy Fassler’s headline for his Medium column this week, “The Olivia Nuzzi Scandal Is an Indictment of Journalism.”
Nuzzi was placed on leave this week — and should lose her job — at “New York” magazine for an undisclosed personal relationship with presidential candidate Robert F. Kennedy, Jr., a controversial public figure she was assigned to report on. People have speculated about the degree of ethical breach, which Nuzzi contends did not veer into a physical relationship. She has been castigated and slut-shamed online, while Kennedy’s behavior has largely been brushed aside as de rigueur for the serial-philandering, vaccine-denying, dog-eating, dead-bear staging, whale head-sawing, brain worm-addled oddball he is.
Make no mistake, Nuzzi’s behavior is a gross — and I mean that in every sense of the word — ethical breach. It reflects poorly on her, certainly, but it also stains the “New York” magazine brand. Nuzzi is just 31 years old and entitled to make journalistic mistakes that we all made in our young careers, but this one is beyond the pale. She should be fired, and she should have to rebuild her career and earn the trust of the public before given another megaphone — print, broadcast or otherwise.
But this is hardly a condemnation of journalism, as Fassler claims in his headline. The public and especially the news media itself needs to get away from these broad, sweeping condemnations. Look at the sins of David Pecker’s tabloid empire and its “catch and kill” practices. Imagine if every reporter at local papers and nonprofit news outlets around the country had to carry the weight of that on their shoulders. It’s patently out of context and unfair.
If you read past the headline, what Fassler is getting at is Nuzzi’s case is — and should be — an indictment of access journalism. Access journalism is when journalists favorably report on their subjects and sources in order to be granted access to them, to gain insider insight, and to get scoops that elude other news outlets.
I wrote about access journalism in a 2021 “Editor & Publisher” magazine.
Nuzzi is certainly a glaring example of a journalist who’s traded on access — and, I dare say, on her beauty. Across news media, we’ve had some of the most popular, visible and broadly followed journalists who can be accused of the same, even at the nation’s most prolific legacy institutions. It is a bane, no question, yet not a reflection of the whole.
Nuzzi’s recent work has been “sus,” as the kids say, and Fassler gives a number of examples of that. Yet, controversy attracts eyeballs and audience — still the most coveted currency in today’s news business. And she (and others) have been rewarded for it.
Still, to lump all journalists and media companies in with Nuzzi and those who enabled her along the way — even in a headline — does disservice to all the earnest, dedicated and toe-the-line reporters around the country.
And it emboldens the “dishonest press” and “enemies of the people” rhetoric. Let’s stop that.