Book Publishing, News & Publishing, Politics & Public Policy

About “Going There”

Katie Couric’s 2021 memoir is perfectly titled: Going There

It’s clever, because it relates to so many facets of her story—the places she went (physically and emotionally) over the course of her decades-long career in news; the torment of recalling profound loss and grief; or how she took a chance at love again. 

Whether you’ve been a fan or a casual observer, Couric’s familiar voice comes through in the text. 

Full disclosure, I once felt full-on fangirl when Couric retweeted me during the pandemic—both of us grateful for journalists who were covering “the front lines” of COVID.  

As far as women in news go, Couric is legendary. And her memoir could’ve easily gone down a chest-thumping path, boasting of her myriad hard-news features and epic longevity on TV screens. Instead, there’s a raw, earnest quality to her retelling of the story that’s genuine and approachable, like Couric herself, as we come to see.

She shares with us what it was like to grieve her husband, her sister, her parents. She speaks honestly about loss, motherhood, exhaustion, but also about love, redemption and gratitude. 

I’ve always felt the most effective memoirs are those that demonstrate a change and a maturation of the autobiographer: what you learn, who you come, what you overcome. 

Life isn’t Instagram. 

Going There is deeply introspective, particularly when Couric recounts her regrets and miscalculations along the way—missing signs that her beloved first-husband Jay was ill; unwisely choosing partners after his death; anecdotally putting career ahead of family; and a slew of professional missteps that make her (and us) cringe today. 

Most of all, it’s a tome about journalism and TV news, from a woman’s point of view during a transformative time, spanning the age of overt misogyny and sexual misconduct to the post-#MeToo modern day. 

Couric peels back the curtain on what it was like to navigate network politics, sexism and fierce competition, not just between the TV networks, but sometimes among your own network team. I’ll think about “60 Minutes”—a staple Sunday-night show in our home growing up—a little differently after learning how Couric was treated by the producers and fellow journalists. 

Recently, in conversation with someone else in news, I used the term “working sources,” and I was met with silence on the other end of the line; then, a question: What do you mean by ‘working sources?’ More condemnation than question. And I explained what I feel it’s like to land an important interview, particularly with someone who may be initially reluctant to go on record, let alone on camera. I spoke of building trust, of having conversations, perhaps meeting in person, explaining my process, being fully transparent and honest—but, in effect, working to get the interview.

Couric gives us a no-holds-barred account of “working sources,” crediting her bookers and producers for contortionist-like moves to woo them. In the print world that I know, there are clearly defined ethics on such matters, and one of them is that we don’t accept gifts from them, and they shouldn’t expect from us in return. It seems TV news is a bit more cut-throat competitive, and that there are gray areas on such matters. 

I (and I’m sure a lot of women readers) also appreciated how Couric spoke about trying to balance the two sides of her professional personality—serious, right-toned journalist versus the quirkier, fun, silly, sometimes smart-ass side of her personality. The TODAY Show gave her the perfect platform for that balancing act. 

“Katherine or Katie, the serious journalist or the smiley cutup … the tension between those two sides of my nature would run like a fault line through my career,” she reflects.

Couric writes about Jeff Zucker and Matt Lauer, men with whom she’d had as close a professional relationship as you might have; both proved grave disappointments in the end.  

Couric took a lot of heat when Going There first came out, particularly about her recounting of an interview with SCOTUS Justice Ruth Bader Ginsburg. Couric asked Justice Ginsburg about Colin Kaepernick’s protests. The Justice expressed how she found it disgraceful—not what you might expect from a liberal-leaning, First Amendment-affirming judge. Couric revealed how she wrestled with the editorial decision about whether to keep the exchange in the interview, or to cut it out. Critics decried that it was Couric’s duty to broadcast her remarks, that it was journalistic malpractice not to. She’s not objective, they said, citing Couric’s admission that she greatly admired Ginsburg. 

But that’s journalism. You bring personal perspective to your reporting. How can you not? You are a person, a citizen, with lived experiences like anyone else. You learn things, and those things inform you as you move through life and, professionally, into others’ lives. These editorial dilemmas come up in nearly every interview or reporting assignment, especially in hard news and investigative journalism. 

“I know I’m being fair when everybody’s mad at me,” Walter Kronkite once told Couric. 

If all this sounds intriguing, I hope you’ll read the book, and check out Couric’s Instagram for more of her “smiley cutup” side.

News & Publishing, Politics & Public Policy

Local news “builds community”

Within the past five years — and certainly during the height of the pandemic — I began to notice the term “building community” come up in conversation a lot, particularly with local news publishers and journalists. It’s certainly not a new concept — the idea that a local newspaper (or news site) doesn’t just inform the community; it also provides a thread that runs through the community, creating a sense of belonging and a reminder of shared vested interests.

Every local news outlet does this in some way. It’s inherent. But E&P went in search of stories of news media publishers striving to meaningfully connect with the community and to foster community engagement in positive ways. At the link, you’ll read about two of them — The Lansing Journal and The Spokesman-Review.

https://www.editorandpublisher.com/stories/how-two-local-news-are-creating-a-sense-of-community-while-proving-their-value,244758

Share your story about how local news enriches your sense of community in the comments. We’d love to hear about it!

News & Publishing

A New News Ecosystem for Pittsburgh

I lived in Pennsylvania for about 20 years—in Philadelphia and the surrounding ‘burbs. I got to know Pittsburgh through friends who called the city home and trips down the PA Turnpike (a gorgeous drive, by the way) to visit with them. It’s a city integral to American history and innovation—a city that saw industry come and go, forcing it to reinvent itself. It rose to the challenge. 

With three rivers converging, it’s also a part of the state well-concerned with conservation and pollution. Fracking hasn’t helped. 

Pittsburgh has always seemed to me a city in need of a robust news presence and journalists unafraid to tell its stories—the bad, as well as the good. And make no mistake, there’s lots of good, too. But if there’s anyone who can ensure that Pittsburgh’s news media landscape flourishes, it’s Andrew Conte, Ph.D., director of the Center for Media Innovation at Point Park University. 

I spoke with Dr. Conte for E&P’s June issue—about the Center, local news sustainability, citizen journalism, and an exciting new collaboration between otherwise-competitive news media publishers around the city and suburbs. It’s a new “news ecosystem” for the city, and another example of how Pittsburgh continues to be a place of reinvention and innovation. 

Read the story for free at the link, and share your thoughts on Conte’s vision in the comments.

News & Publishing

The Subscriber Engagement Index data reveals key metrics for compelling subscribers and reducing churn

I gleaned a lot from my conversation with Tim Franklin, senior associate dean, professor and the John M. Mutz Chair in Local News at Medill, and Larry DeGaris, executive director of the Medill Spiegel Research Center, about the Subscriber Engagement Index — and what the members’ data has revealed about audience, engagement and the (other) bad C-word, “churn.” When it comes to compelling content, it appears quality and originality is a key factor to inspiring sign-ups, ensuring brand loyalty, and subscriber retention.

Check out the Quick Read from Editor & Publisher at the link, and let us know if your newsroom is being intentional about creating journalism that is special, critical and that subscribers can’t get anywhere else. Thanks for reading!

https://www.editorandpublisher.com/stories/original-distinctive-content-holds-value,244115

#subscriptions #newsmedia #journalism #brandloyalty

News & Publishing, Politics & Public Policy

The shifting balances of press powers: While First Amendment champions work to affirm the free press, others seek to undermine it

By Gretchen A. Peck, Contributing Editor, Editor & Publisher

The past few years have been remarkable for news media publishers, which have enjoyed some particularly public and powerful support. In the U.S. Congress, representatives and senators from both sides of the aisle sponsored legislative proposals that would secure press protections (the PRESS Act), get news agencies a seat at the table in negotiations with Big Tech (Journalism Competition & Preservation Act, the JCPA), and a proposal that would provide financial relief to local news businesses (the Local Journalism Sustainability Act, or LJSA).

Under Founder Steve Waldman’s direction, Rebuild Local News has been lobbying statehouse legislators to adopt bills that would provide tax credits to small businesses that advertise in local news media, to newsrooms that retain or hire more journalists and to individuals who subscribe or donate to a local news outlet.

While these champions for local news have been hard at work, powerful forces have been running a counteroffensive — undermining the press, impeding access and making it easier for members of the public and political class to sue news organizations.

Read on at: https://www.editorandpublisher.com/stories/the-shifting-balances-of-press-powers,243446

News & Publishing

The Baltimore Beat is Back

For E&P’s March issue, I had the pleasure of speaking with Lisa Snowden The Baltimore Beat’s editor. Last summer, Baltimore Beat returned to the local news scene after a publishing pause. They had a somewhat quiet relaunch in late summer, when other Baltimore news outlets were basking in national attention over Baltimore’s new “newspaper wars”—pitting the new Baltimore Banner against the city’s legacy paper, the Baltimore Sun. 

Snowden didn’t have much time to pay attention to that media frenzy. The veteran Baltimore journalist was busy relaunching the Beat as a nonprofit local news title for Baltimore’s Black community—61.6% of the city’s population, per the U.S. Census. It is intentionally a print title (w/ a companion site) that’s strategically distributed around the city, and it’s free. 

The Baltimore Beat’s revenue model relies on philanthropy and the sustained support of the community. Snowden plans to earn that support by being a practical, accessible, go-to resource for the public.

Read more at the link: https://www.editorandpublisher.com/stories/the-baltimore-beat-back-in-business-providing-local-practical-news-for-underserved-communities,242797

#baltimorebeat
#baltimore
#localnews

News & Publishing

Holidays in the newsroom

By Gretchen A. Peck

Editor & Publisher (E&P) Magazine closes out the year with a cover story dedicated to all the journalists and editors keeping us informed during the year-end holidays. It’s a bittersweet story, as you will see, not unlike a holiday spent apart from loved ones, or the end of another year, now past. I wanted to especially thank Rob Tornoe for illustrating the cover. He so perfectly captured the moments when the newsroom is otherwise quiet, when the world around celebrates, but there’s a lead to chase, a story to tell and the public to serve. 

https://www.editorandpublisher.com/stories/holidays-in-the-newsroom,241313

News & Publishing, Uncategorized

Some thoughts on a year in news

As 2022 comes to a close, my social feeds have been heavy with news of layoffs across media and tech worlds.

It’s the loss of local news that feels most ominous. We’ll start the new year with fewer journalists in newsrooms, fewer columnists to stoke our minds, fewer visual journalists to show us new perspectives, fewer production, sales, audience and administrative pros to ensure that the news reaches subscribers and the public.

The threads that gut me most chronicle all the stories of little to great importance that journalists produced over time in service to employers and the community. There are the investigative pieces, expensive and sometimes tedious to produce; stories holding the powerful and elected to account; stories about the economy, housing, the food chain, immigration, public policy, foreign policy, crime, war, the heavy stuff.

There are endearing examples of human interest stories about the many inspiring people who contribute to our communities. There are the stories about events, art, food and local traditions that help us to feel connected to one another, to have the sense and security of a community around us.

Who will tell these stories, elevate these voices, speak these revelations when newsrooms are scuttled?

I’ve had the pleasure of another year reporting on the state of news for Editor & Publisher magazine, my 12th year with the title. It’s been a humbling, troubling, yet exhilarating year in news. Here are just a few of the stories I’ve had the privilege to tell:

I learned about anti-boycott legislation spreading through statehouses like wildfire, with repercussions to free speech and a free press. I also spoke with Mike Barnicle about the policy trend and other ways in which the 1st Amendment is under attack. https://www.editorandpublisher.com/stories/anti-boycott-laws-run-afoul-of-the-free-press,217354

We followed the dynamics between news media and big tech, diving into the Journalism Preservation & Competition Act (JCPA), copyright issues, Section 230 (let’s not go there), and an anti-trust suit working its way through the courts. https://www.editorandpublisher.com/stories/an-inequitable-partnership-turns-toxic,220234

We told good-news stories, like at The Oregonian. https://www.editorandpublisher.com/stories/the-oregonian-curates-a-feel-good-news-experience,221670

E&P Publisher Mike Blinder was kind to invite me to join him on a few episodes of E&P Reports, like this spirited discussion about public notices: https://www.editorandpublisher.com/stories/floridas-public-notice-reversal-could-it-have-been-avoided-and-will-other-states-follow,221605?newsletter=221606

We reported on cybercrime and the specific threat to news organizations around the world. https://www.editorandpublisher.com/stories/cyber-threats-to-media-companies-are-on-the-rise,225421

We chronicled the development of “democracy teams” around the country. https://www.editorandpublisher.com/stories/the-washington-post-deploys-democracy-team,225938

And about how the norms, institutions and tenets of democracy are under attack: https://www.editorandpublisher.com/stories/american-democracy-in-crisis,239480

As a “daughter of Baltimore,” I had the distinct pleasure of telling the story of the 130-years-young The AFRO-American, and the inspiring family behind the news brand. https://www.editorandpublisher.com/stories/news-history-130-years-in-the-making,239598?newsletter=239660

And told the story of the brand-new Baltimore Banner: https://www.editorandpublisher.com/stories/a-banner-year-for-baltimore,227440

I got to know some truly impressive journalists this year, including many award-winners, like Samantha Max. https://www.editorandpublisher.com/stories/shattering-the-code-of-silence,231515

Under Robin Blinder’s direction as editor and co-publisher, we informed readers — mostly C-Suite news exes — about what journalists contend with today, including challenges related to mental health and physical safety. https://www.editorandpublisher.com/stories/mindful-of-mental-health,233569?newsletter=233935

We told the cautionary tales about how news media publishers are imperiled, and how the public’s trust in news is fragile and fleeting. https://www.editorandpublisher.com/stories/libel-suit-leaves-local-paper-in-crisis,237861?newsletter=238485

We reported on news outlets reporting on crises, like catastrophic Hurricane Ian. https://www.editorandpublisher.com/ian/

I wrote a cover story I didn’t want to write, shouldn’t have to write, nearly couldn’t bring myself to write, and have forever been changed by it: https://www.editorandpublisher.com/stories/reporting-on-school-shootings,232615

We asked tough questions of our peers, including Mike Reed, CEO of Gannett, who just directed the en-masse layoffs I mentioned at the beginning of this missive. He can expect more questions from me in the new year. https://www.editorandpublisher.com/stories/the-good-news-and-bad-news-about-gannett,240563

I learned a lot this year from some really inspiring visionaries. I hope E&P readers did, too. Everything about news is in flux, even the profession of journalism. https://www.editorandpublisher.com/stories/the-objectivity-wars-wage-on,240841

My final E&P dispatch of the year is bittersweet, like the holidays or the end of a year. We wanted to tell the stories of journalists who’ve worked a newsroom, a sound booth or a TV studio on one of the major year-end holidays. We wanted to know about festivities, food (because you know that’s important to us) and newsroom traditions, but also about the memorable events reported on those holidays — a reminder that the public’s need to know never takes a holiday.

I was so grateful for all the reporters, editors, photographers, on-air hosts, everyone who shared their memories with me. Throughout those conversations ran two themes — what a privilege it is to do this job, and how so many journalists lost their jobs this year, how so many have had to (reluctantly or enthusiastically) leave the profession.

I’d like to extend a special thanks to E&P Columnist and Cartoonist Rob Tornoe, who illustrated the cover and perfectly captured the experience of chasing a lead while the newsroom is quiet and the world around you celebrates.

You can read the entire December 2022 e-edition here: https://editorandpublisher.pressreader.com/editor-publisher

My New Year’s wish is that all of these talented, smart, earnest people — indispensable members of our news family — land upright and ready to lead us toward a new trajectory. ~ G

News & Publishing

American Journalism Project makes good on a promise to fund nonprofit local news

One recipient, Block Club Chicago, hopes to “supercharge” operations with the funding

WATCH: E&P Reports welcomes Shamus Toomey and Stephanie Lulay of Block Club Chicago, and the American Journalism Project’s Anna Nirmala and Sarabeth Berman to talk about venture philanthropy and nonprofit local news:

https://www.editorandpublisher.com/stories/american-journalism-project-makes-good-on-a-promise-to-fund-nonprofit-local-news,216024

Military Service, News & Publishing, Politics & Public Policy, Uncategorized

History Repeats

A pilgrimage back to the battlefields of Gettysburg

By Gretchen A. Peck

Growing up in a then-small town in mid-state Maryland, the Commonwealth of Pennsylvania always beckoned from the north. As 5th-graders, we’d travel to Camp Round Top for a standard-curriculum introduction to cabin life and campfire songs. Those who could afford it trekked up to places like Seven Springs for high-school ski trips. Towns like York and Reading appealed to our parents for stuff like farm-fresh canned goods and outlet shopping. It was rare to venture far enough east or west to get a taste of the big cities in Pennsylvania. I didn’t see Pittsburgh until I was well into my 40s, and Philadelphia eluded me until I was in college and in control of my own journeys. 

Though it felt like an epic adventure back then—through the wide-eyed but impatient eyes of a child — Gettysburg was an easy day-trip destination for parents and teachers who wanted to leverage some pretty remarkable local history. As a kid, I went there twice. Both times are etched in my memory still — one a fond trip; the other, a not-so-fond trip involving a banana-seated bicycle and a flashy Mercedes-Benz. 

The fonder of those two trips was with my main pal, my great-grandmother, Ruth. She was always rather independent and still felt comfortable behind the wheel of one those iron-horse American-made cars and station wagons she used to drive. I can’t be certain if she pitched the idea of a day trip to Gettysburg because she was intrigued by the history herself, or if she was just looking for a way to keep a precocious kid occupied for a span of time, but northward we went to the battlefields of Gettysburg. 

Gettysburg

I knew about Gettysburg’s history, probably because I’d read about it independently. I was a voracious, above-grade reader with an affinity for history and historic fiction. I don’t know what I expected of the battlefields there, which I knew to have claimed the lives of thousands of men, but as we drove Gettysburg’s rolling hills and past its stacked stone walls, I found them to be just pretty countryside, but otherwise unremarkable. It was hard to imagine them littered with the bodies of dead and dying soldiers. Then again, it was hard to imagine fellow countrymen turning on one another at all. It didn’t sit well with me then, as a child, and doesn’t now.

At the museum commemorating the pivotal battle, there was an interactive display — what they refer to as a cyclorama — a painting by French artist Paul Philippoteaux that offers a 360-degree depiction of the battleground’s horrors and the spoils of war. The artist shied not away from the gore, and viewing the battlefield like that helped me to imagine what those bucolic fields looked like in July 1863. I spun around, taking it all in, aghast at the blood and carnage. 

Cyclorama depicting the Battle of Gettysburg
Cyclorama (detail)

There was another artifact from the museum that I thought I remembered so vividly—an old wooden table used as a makeshift operating table. As a child, I stared in horror at the rough-blade saws they used for amputation with little to soothe the wounded soldiers. The table had what appeared to be a stain, and I gasped at the thought that no one had thought to wipe away the blood before putting it on display. 

Before we headed for home, my great-grandmother bought me a fold-out miniature depiction of the cyclorama, on glossy postcard stock. I unfolded it on my lap and studied it the whole way home. 

I was in my 40s when I went back to Gettysburg on a cold misty-mountain day, the end of a brief but cathartic pilgrimage back to where I began. Decidedly middle-aged by then, I had new perspective on childhood homes and places of significance around my hometown. I toured it with my parents, and we spoke of memories, avoiding the hardest ones. After the visit, I packed my truck and headed north toward home in Pennsylvania. I toyed with the idea of stopping in Gettysburg, but it was threatening to rain and I kept that in the back of my mind as an excuse not to make the pitstop. 

But something compelled me to retrace the steps my great-grandmother and I had walked together decades before. 

I thought of her as I bought my ticket, and wandered through the exhibits. She felt beside me as I ascended the long escalator to the theater-in-the-round where they cyclorama painting is on display. I could practically hear her laughter when I walked up to the display of the operating table to see that the “stain” I’d remembered was most likely just the natural grain of the wood and some wear and tear — the blood I’d conjured were just a child’s imagination run amok. 

Kitchen table/Operating table

I brushed by families and stood by myself reading the plaques and watching the video clips throughout the exhibit. I thought about the toxicity of politics, how it inherently divides up the nation into neat little categories, largely based on where and to whom we’re born. I thought of the barbarism of the war, the hand-to-hand, eye-to-eye combat, an intimate, personal war waged among neighbors and families and fellow countrymen. 

What would the weapons of Civil War be today?

It seemed to me then, even as a child, a wholly absurd notion. I felt men were to blame and women had to suffer their consequences. Now that members of Congress like Rep. Marjorie Taylor Greene (R-GA) openly flirt with the idea of civil war, like it’s the stuff of romantic nostalgia, I can no longer blame the barbarism on men alone. I do imagine that the civil war the Congresswoman pines for will not be so “fairly” fought, with men in uniforms on rural battlefields, but instead through cowardly acts of terror.

By the time I found my middle-aged self in Gettysburg back on that misty day, the nation’s politics had once again turned toxic, like a sepsis from a wound that never really healed. It’s exponentially worse now — in 2022, as we sit — so much more vitriolic, hateful, and steeped in a scourge of misinformation. 

Before I left Gettysburg in my wake for that third time in my life, I stopped in the gift shop — now, a gift shop on steroids — and bought water for the ride home, a soldier bag for my husband (he’d hate it if I called it a murse, which it is), and a mug depicting the Gettysburg address for me. Just outside the gift shop sat a table where visitors could “Send a Message to the Troops” via postcard. I filled one out, and hoped it found someone out in some far-off “battlefield” and makes her or him feel thought-of and important.

I stopped to snap a selfie with a bronze statue of President Abraham Lincoln before getting on the road, just long enough to hear a strange conversation unfold between a father and son coming up the path to see the museum. “Lincoln,” the child exclaimed when he saw the statue where I was taking my selfie. “Take a picture of me, Daddy,” the little boy pleaded. There was an awkward pause before the father said, “Nah. Nah. Not now. Besides, he was on the other side.”

I thought of my great-grandmother again in that moment, by all accounts a church-going, southern, conservative Republican woman to her core. There was never any question how she came down on such matters. Slavery was immoral, a sin, and a war fought on slavery’s behalf — pitting neighbor against neighbor, countryman against countryman, brother versus brother — was, too. This was not up for debate.

She’d brought me to that hallowed battlefield to instill that in me. 

“War is cruelty.”

It felt tragic, almost surreal, to see a child brought to that solemn place and taught otherwise — its lessons not just missed but mistaken, misrepresented, warped.  Once again it feels surreal to see members of Congress masticating the possibility of bloodshed, or to read articles by pundits pondering whether Civil War in the United States is inevitable or has already begun. 

Perish the thought.